IN THE STUDIO
Artist: Toyosi Saliu
Artelier caught up with London-based Nigerian artist Toyosi Saliu as she prepares for her upcoming debut solo exhibition Sankofa Chronicles at the Elitha’s Gallery, Holborn, May 19-31, hosted by the National Institute for African Studies (NIAS). We asked her a few questions about studio life and her preparations for the exhibition which showcases striking 24-carat gold-infused portraits richly layered with West African symbolism.
Congratulations on your upcoming debut solo exhibition. What inspired this body of work and how did the ideas take shape?
Sankofa Chronicles was born out of a passionate desire to reconnect with pre-colonial African history and visual storytelling. As an artist growing up in Nigeria, I have always been fascinated with the shared cultural threads across West Africa, especially symbols like Adinkra, which originated in Ghana but speak to a broader African philosophy of legacy and memory. I wanted to create a work that reflects beauty and encourages us to look back, learn and reclaim what was interrupted by colonisation. The concept grew organically through research, self-reflection and a deep respect for African heritage.
What’s the significance of the golden halos in your work?
They are spiritual and political, in a way. They are inspired by classical religious iconography where halos represent divinity, sanctity and light but I feel Black figures have been largely absent from those portrayals. By placing 24-carat gold halos behind my subjects, I intentionally place Black identity in a divine context. The gold also reflects West African historical connection to wealth, power and royalty, especially regions that played a central role in the global gold trade. So for me, the halos are about restoring dignity, celebrating spiritual presence and reframing how we see ourselves.
“By placing 24-carat gold halos behind my subjects I intentionally place Black identity in a divine context.”
How has your racial heritage and gender shaped your approach to your art?
Being a Black woman from Nigeria deeply influenced how I see and represent my world. My identity includes cultural pride, inherited loudness, resilience and beauty. Art gives me a space to speak unchallenged. I use it to confront colonial narratives, explore the tensions between tradition and modernity and portray Black women with reverence and softness. My gender and race aren’t limited, they are lenses that add depth, nuance and truth to everything I create.
Do any artists, past or present, inspire you or resonate in your work?
Gustav Klimt has been a huge influence, especially in how he uses gold patterns and symbolism to convey emotion, intimacy and spirituality. His ability to merge decorative detail with depth has shaped my visual storytelling approach. I am also deeply inspired by Nike Davies-Okundaye. Her work is rooted in Yoruba tradition and is incredibly bold, feminine and culturally rich. She reclaims traditional textile techniques and turns them into powerful statements. Her commitment to preserving and empowering women and elevating indigenous art forms has profoundly impacted how I see my creative journey, not just as an artist but as a storyteller and cultural custodian.
Describe the vibe and energy of your studio in three words
Chaotic, reflective and busy.
Toyosi Saliu: Sankofa Chronicles Elisha’s Gallery, The NIAS Creative Campus, 1b Holborn Circus EC1N 2HB. May 19 -31 2025. Private View May 17, 6-9 pm
For more on London’s art scene, read Eddie Saint-Jean’s London Art In Review
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