Othello De Souza-Hartley: Cataloguing Emotions

Artist Othello De’ Souza-Hartley

This solo show by Othello De Souza-Hartley is notable amongst the Covid 19 era London exhibitions because of the body and architecture connection, poignant at a time when there is heightened focus on the relationship between the self and the confining surrounds of our homes. However, De Souza’s work utilises concepts he had developed well before the coronavirus pandemic.

He brings together the photography from his I Am and Masculinity series as well as the paintings from his Studies portfolio. He describes the exhibition as a discourse on the sexualisation of the male body and the architecture it resides in and that’s around it and also representations of female black beauty. There’s a candid excoriation of elements of memory in all the work.

Othello De’ Souza-Hartley (centre)

The naked black figures in the photographic work are occasionally foetal; lying on spotlit, cold, industrial or factory floors. They impart that focus on memory in a dyadic language; almost womblike yet at the same time isolated and detached, in a powerful examination of representations of the black body and beauty.

I AM (2017)

Othello said: ” My paintings are a visual diary of emotions while my photographic work is heavily inspired by architecture and interiors.”

Within that photography is some stark and powerful light play that brings to mind the baroque methodology of masters such as Carravagio.

This exhibition marks the first time all the work from his main creative practice have been brought together in one gallery space.

CATALOGUING EMOTIONS: An Exploration of Body, Architecture and Memory

Koppel Project Exchange, 193 Piccadilly, London W1J 9EU, UK.

9th – 20th October 2020


Published by Slipstream Media

Arts Media and Production Company